Friday, February 17, 2017

Pinocchio Chapter 3 The first pranks




Pinocchio Chapter 3 The First Pranks

Geppetto makes the talking piece of wood into a puppet and calls him Pinocchio. As soon as he can run, Pinocchio proves to be very naughty.

Read by Natasha
Illustrated by Chiara Civati


CHAPTER 3

Little as Geppetto’s house was, it was neat and comfortable. It was a small room on the ground floor, with a tiny window under the stairway. The furniture could not have been much simpler: a very old chair, a rickety old bed, and a tumble-down table. A fireplace full of burning logs was painted on the wall opposite the door. Over the fire, there was painted a pot full of something which kept boiling happily away and sending up clouds of what looked like real steam.

As soon as he reached home, Geppetto took his tools and began to cut and shape the wood into a Marionette.

“What shall I call him?” he said to himself. “I think I’ll call him PINOCCHIO. This name will make his fortune. I knew a whole family of Pinocchi once–Pinocchio the father, Pinocchia the mother, and Pinocchi the children–and they were all lucky. The richest of them begged for his living.”

After choosing the name for his Marionette, Geppetto set seriously to work to make the hair, the forehead, the eyes. Fancy his surprise when he noticed that these eyes moved and then stared fixedly at him. Geppetto, seeing this, felt insulted and said in a grieved tone:

“Ugly wooden eyes, why do you stare so?”

There was no answer.

After the eyes, Geppetto made the nose, which began to stretch as soon as finished. It stretched and stretched and stretched till it became so long, it seemed endless.

Poor Geppetto kept cutting it and cutting it, but the more he cut, the longer grew that impertinent nose. In despair he let it alone.

Next he made the mouth.

No sooner was it finished than it began to laugh and poke fun at him.

“Stop laughing!” said Geppetto angrily; but he might as well have spoken to the wall.

“Stop laughing, I say!” he roared in a voice of thunder.

The mouth stopped laughing, but it stuck out a long tongue.

Not wishing to start an argument, Geppetto made believe he saw nothing and went on with his work. After the mouth, he made the chin, then the neck, the shoulders, the stomach, the arms, and the hands.

As he was about to put the last touches on the finger tips, Geppetto felt his wig being pulled off. He glanced up and what did he see? His yellow wig was in the Marionette’s hand. “Pinocchio, give me my wig!”

But instead of giving it back, Pinocchio put it on his own head, which was half swallowed up in it.

At that unexpected trick, Geppetto became very sad and downcast, more so than he had ever been before.

“Pinocchio, you wicked boy!” he cried out. “You are not yet finished, and you start out by being impudent to your poor old father. Very bad, my son, very bad!”

And he wiped away a tear.

The legs and feet still had to be made. As soon as they were done, Geppetto felt a sharp kick on the tip of his nose.

“I deserve it!” he said to himself. “I should have thought of this before I made him. Now it’s too late!”

He took hold of the Marionette under the arms and put him on the floor to teach him to walk.

Pinocchio’s legs were so stiff that he could not move them, and Geppetto held his hand and showed him how to put out one foot after the other.

When his legs were limbered up, Pinocchio started walking by himself and ran all around the room. He came to the open door, and with one leap he was out into the street. Away he flew!

Poor Geppetto ran after him but was unable to catch him, for Pinocchio ran in leaps and bounds, his two wooden feet, as they beat on the stones of the street, making as much noise as twenty peasants in wooden shoes.

“Catch him! Catch him!” Geppetto kept shouting. But the people in the street, seeing a wooden Marionette running like the wind, stood still to stare and to laugh until they cried.

At last, by sheer luck, a Carabineer* happened along, who, hearing all that noise, thought that it might be a runaway colt, and stood bravely in the middle of the street, with legs wide apart, firmly resolved to stop it and prevent any trouble.

* A military policeman

Pinocchio saw the Carabineer from afar and tried his best to escape between the legs of the big fellow, but without success.

The Carabineer grabbed him by the nose (it was an extremely long one and seemed made on purpose for that very thing) and returned him to Mastro Geppetto.

The little old man wanted to pull Pinocchio’s ears. Think how he felt when, upon searching for them, he discovered that he had forgotten to make them!

All he could do was to seize Pinocchio by the back of the neck and take him home. As he was doing so, he shook him two or three times and said to him angrily:

“We’re going home now. When we get home, then we’ll settle this matter!”

Pinocchio, on hearing this, threw himself on the ground and refused to take another step. One person after another gathered around the two.

Some said one thing, some another.

“Poor Marionette,” called out a man. “I am not surprised he doesn’t want to go home. Geppetto, no doubt, will beat him unmercifully, he is so mean and cruel!”

“Geppetto looks like a good man,” added another, “but with boys he’s a real tyrant. If we leave that poor Marionette in his hands he may tear him to pieces!”

They said so much that, finally, the Carabineer ended matters by setting Pinocchio at liberty and dragging Geppetto to prison. The poor old fellow did not know how to defend himself, but wept and wailed like a child and said between his sobs:

“Ungrateful boy! To think I tried so hard to make you a well-behaved Marionette! I deserve it, however! I should have given the matter more thought.”

What happened after this is an almost unbelievable story, but you may read it, dear children, in the chapters that follow.   

Sunday, February 12, 2017

Big Al and Shrimpy



Big Al and Shrimpy


First Grade Teacher reads Big Al and Shrimpy
Poor Shrimpy! He may be the smartest fish in the sea, but he's also the smallest.

Who would want to be friends with such a teeny, tiny fish?

Big Al, that's who! Big Al remembers what it feels like to to be an outsider, and he and Shrimpy become best friends.
And when Big Al finds himself in danger, it's Shrimpy's smart thinking that saves the day — and wins Shrimpy the respect and affection of other fish.

In the wide blue sea
there was a very clever
fish named Shrimpy.
You could not find a smarter fish.




But Shrimpy was also very, very small.
Poor Shrimpy!

He wants to be like Big Al, loved and adored by all the other fish.

But who would want to be friends with such a teeny, tiny fish? Big Al, that's who! He's big and scary-looking, and he remembers what it was like to be friendless.

Still, all the other fish think Shrimpy's just a nuisance.

Then one day, when Big Al's life is in danger, Shrimpy is the only one brave enough and smart enough to save the day.

Suddenly, everyone can see that friends come in all shapes and sizes and Shrimpy turns out to be the best friend any fish could want!

Monday, February 6, 2017

The Story of Rapunzel | Kid for Story

                            
                                                           

Once when he was thus standing behind a tree, he saw that an enchantress came there, and he heard how she cried:  'Rapunzel, Rapunzel,  Let down your hair to me.'      Then Rapunzel let down the braids of her hair, and the enchantress climbed up to her.       'If that is the ladder by which one mounts, I too will try my fortune,' said he, and the next day when it began to grow dark, he went to the tower and cried:  'Rapunzel, Rapunzel,  Let down your hair to me.'      Immediately the hair fell down and the king's son climbed up.       At first Rapunzel was terribly frightened when a man, such as her eyes had never yet beheld, came to her; but the king's son began to talk to her quite like a friend, and told her that his heart had been so stirred that it had let him have no rest, and he had been forced to see her. Then Rapunzel lost her fear, and when he asked her if she would take him for her husband, and she saw that he was young and handsome, she thought: 'He will love me more than old Dame Gothel does'; and she said yes, and laid her hand in his.       She said: 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse.'       They agreed that until that time he should come to her every evening, for the old woman came by day. The enchantress remarked nothing of this, until once Rapunzel said to her: 'Tell me, Dame Gothel, how it happens that you are so much heavier for me to draw up than the young king's son - he is with me in a moment.'       'Ah! you wicked child,' cried the enchantress. 'What do I hear you say! I thought I had separated you from all the world, and yet you have deceived me!'       In her anger she clutched Rapunzel's beautiful tresses, wrapped them twice round her left hand, seized a pair of scissors with the right, and snip, snap, they were cut off, and the lovely braids lay on the ground. And she was so pitiless that she took poor Rapunzel into a desert where she had to live in great grief and misery.       On the same day that she cast out Rapunzel, however, the enchantress fastened the braids of hair, which she had cut off, to the hook of the window, and when the king's son came and cried:     'Rapunzel, Rapunzel,  Let down your hair to me.'         she let the hair down. The king's son ascended, but instead of finding his dearest Rapunzel, he found the enchantress, who gazed at him with wicked and venomous looks.       'Aha!' she cried mockingly, 'you would fetch your dearest, but the beautiful bird sits no longer singing in the nest; the cat has got it, and will scratch out your eyes as well. Rapunzel is lost to you; you will never see her again.'       The king's son was beside himself with pain, and in his despair he leapt down from the tower. He escaped with his life, but the thorns into which he fell pierced his eyes.       He wandered quite blind about the forest, ate nothing but roots and berries, and did naught but lament and weep over the loss of his dearest wife. Thus he roamed about in misery for some years, and at length came to the desert where Rapunzel, with the twins to which she had given birth, a boy and a girl, lived in wretchedness. He heard a voice, and it seemed so familiar to him that he went towards it, and when he approached, Rapunzel knew him and fell on his neck and wept. Two of her tears wetted his eyes and they grew clear again, and he could see with them as before. He led her to his kingdom where he was joyfully received, and they lived for a long time afterwards, happy and contented.
Rapunzel
 Once when he was thus standing behind a tree, he saw that an enchantress came there, and he heard how she cried:
'Rapunzel, Rapunzel, 
Let down your hair to me.'
     Then Rapunzel let down the braids of her hair, and the enchantress climbed up to her.
     'If that is the ladder by which one mounts, I too will try my fortune,' said he, and the next day when it began to grow dark, he went to the tower and cried:
'Rapunzel, Rapunzel, 
Let down your hair to me.'
     Immediately the hair fell down and the king's son climbed up.
     At first Rapunzel was terribly frightened when a man, such as her eyes had never yet beheld, came to her; but the king's son began to talk to her quite like a friend, and told her that his heart had been so stirred that it had let him have no rest, and he had been forced to see her. Then Rapunzel lost her fear, and when he asked her if she would take him for her husband, and she saw that he was young and handsome, she thought: 'He will love me more than old Dame Gothel does'; and she said yes, and laid her hand in his.
     She said: 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse.'
     They agreed that until that time he should come to her every evening, for the old woman came by day. The enchantress remarked nothing of this, until once Rapunzel said to her: 'Tell me, Dame Gothel, how it happens that you are so much heavier for me to draw up than the young king's son - he is with me in a moment.'
     'Ah! you wicked child,' cried the enchantress. 'What do I hear you say! I thought I had separated you from all the world, and yet you have deceived me!'
     In her anger she clutched Rapunzel's beautiful tresses, wrapped them twice round her left hand, seized a pair of scissors with the right, and snip, snap, they were cut off, and the lovely braids lay on the ground. And she was so pitiless that she took poor Rapunzel into a desert where she had to live in great grief and misery.
     On the same day that she cast out Rapunzel, however, the enchantress fastened the braids of hair, which she had cut off, to the hook of the window, and when the king's son came and cried:

'Rapunzel, Rapunzel, 
Let down your hair to me.'

     she let the hair down. The king's son ascended, but instead of finding his dearest Rapunzel, he found the enchantress, who gazed at him with wicked and venomous looks.
     'Aha!' she cried mockingly, 'you would fetch your dearest, but the beautiful bird sits no longer singing in the nest; the cat has got it, and will scratch out your eyes as well. Rapunzel is lost to you; you will never see her again.'
     The king's son was beside himself with pain, and in his despair he leapt down from the tower. He escaped with his life, but the thorns into which he fell pierced his eyes.
     He wandered quite blind about the forest, ate nothing but roots and berries, and did naught but lament and weep over the loss of his dearest wife. Thus he roamed about in misery for some years, and at length came to the desert where Rapunzel, with the twins to which she had given birth, a boy and a girl, lived in wretchedness. He heard a voice, and it seemed so familiar to him that he went towards it, and when he approached, Rapunzel knew him and fell on his neck and wept. Two of her tears wetted his eyes and they grew clear again, and he could see with them as before. He led her to his kingdom where he was joyfully received, and they lived for a long time afterwards, happy and contented.

Sunday, February 5, 2017

Grasshopper and the Ants



he Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant (or Ants), is one of Aesop's Fables, numbered 373 in the Perry Index.The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is refused. The situation sums up moral lessons about the virtues of hard work and planning for the future.  Even in Classical times, however, the advice was mistrusted and an alternative story represented the ant's industry as mean and self-serving. Jean de la Fontaine's delicately ironical retelling in French later widened the debate to cover the themes of compassion and charity. Since the 18th century the grasshopper has been seen as the type of the artist and the question of the place of culture in society has also been included. Argument over the fable's ambivalent meaning has generally been conducted through adaptation or reinterpretation of the fable in literature, arts and music.  In a field one summer's day a Grasshopper was hopping about, chirping and singing to its heart's content. An Ant passed by, bearing along with great toil an ear of corn he was taking to the nest. "Why not come and chat with me," said the Grasshopper, "instead of toiling and moiling in that way?" "I am helping to lay up food for the winter," said the Ant, "and recommend you to do the same." "Why bother about winter?" said the Grasshopper; "We have got plenty of food at present." But the Ant went on its way and continued its toil. When the winter came the Grasshopper had no food and found itself dying of hunger - while it saw the ants distributing every day corn and grain from the stores they had collected in the summer. Then the Grasshopper knew: It is best to prepare for days of need.


Grasshopper and the Ants



The Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant (or Ants), is one of Aesop's Fables, numbered 373 in the Perry Index.The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is refused. The situation sums up moral lessons about the virtues of hard work and planning for the future.

Even in Classical times, however, the advice was mistrusted and an alternative story represented the ant's industry as mean and self-serving. Jean de la Fontaine's delicately ironical retelling in French later widened the debate to cover the themes of compassion and charity. Since the 18th century the grasshopper has been seen as the type of the artist and the question of the place of culture in society has also been included. Argument over the fable's ambivalent meaning has generally been conducted through adaptation or reinterpretation of the fable in literature, arts and music.

In a field one summer's day a Grasshopper was hopping about, chirping and singing to its heart's content. An Ant passed by, bearing along with great toil an ear of corn he was taking to the nest. "Why not come and chat with me," said the Grasshopper, "instead of toiling and moiling in that way?" "I am helping to lay up food for the winter," said the Ant, "and recommend you to do the same." "Why bother about winter?" said the Grasshopper; "We have got plenty of food at present." But the Ant went on its way and continued its toil. When the winter came the Grasshopper had no food and found itself dying of hunger - while it saw the ants distributing every day corn and grain from the stores they had collected in the summer. Then the Grasshopper knew: It is best to prepare for days of need.